EXPOSITION IN FILM ARCHIVE
EXPOSITION IN FILM PROFESSIONAL

Multidisciplinary and comparative approaches are key aspects of film studies and we therefore welcome students coming from areas of study other than film. Entry requirements for the 2023/24 academic year will be published on 3 October 2022.Ī UK 2:1 honours degree, or its international equivalent. These entry requirements are for the 2022/23 academic year and requirements for future academic years may differ. You will be supported in your final project through close individual supervision through the latter months of the programme. producing an individual or collaborative video essay and written reflection.an individual or collaborative applied research project.

EXPOSITION IN FILM PROFESSIONAL

To enable you to develop a specific area of professional and/or academic competence, you’ll choose from a range of assessment designs and programme outcomes for your final project. This will help you develop the research and planning skills required for your final, 60-credit project where you will apply and critically engage with the concepts explored across the programme. Over the duration of the programme, you’ll take three core courses, and choose an optional course from a wide range of subjects.Īs well as studying film exhibition practice from a range of perspectives, and the relationships between the moving image and its audiences, your core courses will involve a research-led, project-based, 40-credit course in Applied Exhibition and Curation. You can find out more about our activities and alumni on the Film, Exhibition and Curation blog. As the programme matures, this has led to a number of collaborations, both between alumni and between current and former students.

Our students come from a range of backgrounds and have gone on to careers across film exhibition and curation, in cultural mediation, in communications, research, and the arts, forming a connected international graduate community of engaged professionals. Previously awarded the Students’ Association’s Teaching Award for Developing Student Employability, we were one of the early contributors to ‘Making the Most of Masters’, a cross-university initiative which won the Times Higher Education Award for Outstanding Employer Engagement. You’ll leave with a portfolio of projects that demonstrates both rigorous academic and professional skills, as well as your ability to work independently and with others. For example, previous students have been placed, or won internships, in Cannes, Chicago, New York, and London.

We also have excellent links with Screen Academy Scotland, and with a range of other industry partners in Scotland, the UK and internationally. Our School is a highly creative environment in which you’ll also meet students of Film, Intermediality, Creative Writing, literatures, and many languages.īased in a world-renowned festival city, filled with independent cinemas, galleries and venues, we host visiting professionals throughout the year, and regularly collaborate with two of the UK’s largest film festivals, the Glasgow Film Festival and the Edinburgh International Film Festival. Study with us and you’ll be part of a close-knit, international community of film enthusiasts under the guidance of two dedicated Programme Directors - Susan Kemp and Jane Sillars - who combine industry experience with teaching excellence, gaining them multiple Teaching Awards nominations.

Assignments range from pitches to programming, and you’ll be assessed in ways that support you in producing experimental work and discovering yourself as a reflective professional. You’ll work on imaginative curatorial projects, both independently and collaboratively, with input from industry partners.

EXPOSITION IN FILM ARCHIVE

Our taught Masters programme combines rigorous critical thinking with experiments in creative practice, deepening your understanding of film and the ways in which it communicates with many audiences.Īs a Film, Exhibition and Curation student, you’ll explore a series of approaches to the often neglected consideration of film’s movements and migrations within the context of the rich and varied festival, gallery, archive and exhibition cultures of Scotland, the UK and beyond. One of the first universities in the world to offer a programme of study in this field, Edinburgh is pioneering in its development of an active learning and teaching environment for the study of film, exhibition and curation.

Exposition in film